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EC Catacomb of Torment Vol. 1
Table of Contents
About The Book
For Her Royal Travesty of Pain's first request: Master storytellers John Arcudi (B.P.R.D), Marguerite Bennett (Batwoman), Matt Bors (The Toxic Avenger), Evan Dorkin (Beasts of Burden), J. Holtham (The Horizon Experiment), Patricia A. Jackson (Star Wars: Tales from the New Republic), and Matt Kindt (BRZRKR), join artists Valeria Burzo (EC's Epitaphs from the Abyss), Kano (EC's Cruel Universe), Lukas Ketner (Count Crowley), David Lapham (Stray Bullets), Shawn Martinbrough (Thief of Thieves), Dan McDaid (Shazam!), Patrick Piazzalunga (Monsters Are My Business), Fabiana Mascolo (Cyberpunk 2077), Sami Kivelä (Abbott), Shawn McManus (Fables), and Christopher Mitten (The Autumn Kingdom) to turn the red-hot irons on all-new, blisteringly brutal tales of mayhem and malice in the undying EC tradition!
The critics are already saying, “This is literal torture” and “Please make it stop!” Pick up this fright-packed and fearful first volume—and we might just consider letting them go!
Collects Catacomb of Torment #1–4.
About The Illustrators
Valeria Burzo is an Italian cartoonist and illustrator. In 2013, she obtained a two-year degree in Design and Applied Arts, Cinema and TV Scenography section at the Academy of Fine Arts in Naples. She has worked on several comic projects including collaborating with Luca Raimondo on the pencils of Il Cabalista di Praga published by Glenat, L'Ultimo Scugnizzo published by Marotta & Cafiero Editore, Le Indagini di Tom Bacardi published by Edizioni Inkiostro, Samuel Stern published by Bugs Comics, The Witches of World War II published by TKO Studios, Castle Full of Blackbirds published by Dark Horse, and The Hunt for the Skinwalker published by Boom Studios.
Kano is the pseudonym of Spanish comic book artist Jose Ángel Cano López. Kano began his career at the age of 13, editing Spanish-language comics fanzines. At 15, he was already doing layouts and design work for Planeta-DeAgostini. Kano is a founding member of the Spanish magazine about comics, Krazy Comics, as well as the Phoenix Studio, which provided design, illustration, and publishing services and was eventually merged with Camaleón Ediciones, a publishing house that Kano worked for in his early days. He has worked for both DC and Marvel Comics. He worked on a long run of Action Comics, including the “Emperor Joker” storyline, as well as Gotham Central and Swamp Thing. He worked on Daredevil, Iron Fist, Man Thing, and Beta Ray Bill Godhunter for Marvel, as well as others.
Lukas Ketner grew up in Anchorage, Alaska, eventually moving to Portland, Oregon in 2000. He is the artist and cocreator of Witch Doctor, the launch title for Walking Dead creator Robert Kirkman's Skybound imprint at Image Comics. Other work includes stories for Dark Horse’s Creepy Comics and Supersized: Strange Tales from a Fast-Food Culture, along with covers for IDW's Hellraiser title. His illustration work varies from his work in comics to editorial illustrations for magazines and alt-weeklies to motorcycle helmet artwork for Icon Motosports. He was a 2009 nominee for the Russ Manning Award and has twice won entry into the Communication Arts Illustration Annual for his album artwork for the band the Builders and the Butchers.
David Lapham began his career in the comic industry at the age of twenty working at Valiant Comics learning his craft illustrating and helping to create many original titles, including Shadowman, Harbinger and Rai. He left Valiant to work at Defiant Comics where he co-created Warriors Of Plasm with Jim Shooter. David turned his back on the superhero genre in 1995 to co-found the independent publishing company, El Capitan Books, which began publishing David's comic series Stray Bullets. Lapham has won Eisner Awards for his work on Stray Bullets and Murder Me Dead.
Shawn Martinbrough is the author of How to Draw Noir Comics: The Art and Technique of Visual Storytelling by Penguin Random House and an Eisner Award nominated artist whose comic book projects include Batman: Detective Comics, Luke Cage Noir, Black Panther and Hellboy. He is a Vanity Fair contributor and an art curator. Shawn has given lectures about his career at Walt Disney Animation, Lockheed Martin, the Pentagon, Peterson Space Force Base, TEDx Mid Atlantic, the International Spy Museum, the California African American Museum, the Schomberg Center for Research in Black Culture, the Society of Illustrators, Fiorello H. LaGuardia High School of Music & Art, Columbia University, Fashion Institute of Technology, Savannah College of Art & Design, the University of Michigan, Temple University, and the Washington International School. He currently draws and writes in the Washington, DC, metro area.
Fabiana Mascolo is a freelance comic book artist based in Rome. Upon graduating top of her class in 2015, she started working in the comics industry both as a penciler and colorist. Over the years, she has worked for companies such as BOOM! Studios, Feltrinelli, and Edizioni BD. In 2019 she started her collaboration with Scout Comics for the miniseries Yasmeen, written by Saif A. Ahmed.
Dan McDaid is a comics writer and artist based in Scotland. He started out writing and drawing adventures for the Tenth Doctor in Doctor Who Magazine, and he has since gone on to well-received runs on properties as diverse as Big Trouble in Little China, Judge Dredd, and Firefly. Following acclaimed work on TKO’s pulp blockbuster The Fearsome Dr. Fang, McDaid drew the swashbuckling horror Sea Dogs for Joe Hill's Hill House imprint and DC Comics. His most recent project is the self-penned title, sci-fi mystery DEGA published by Oni Press.
Shawn McManus is an American artist who entered the comic book field in the early 1980s with work for Heavy Metal and DC Comics. McManus gained wider attention when he illustrated two 1980s issues of Swamp Thing written by Alan Moore. He received a nomination, with Alan Moore, for a 1985 Jack Kirby award for “Pog” in Swamp Thing #32. The story, an inventive science-fictional reinterpretation of Walt Kelly's Pogo, was written by Moore specifically for McManus, who rose to the challenge with an appropriate Kelly-esque art style. Since then, he has drawn issues of Omega Men, Batman, Doctor Fate, Fables, Cinderella, Sandman, Fairest, and Hellboy.
Patrick Piazzalunga has worked for Aftershock comics, Dark Horse comics, Archie comics, and some Marvel snap cards for the noir series. He's the cocreator of Monsters Are My Business and Those Not Afraid, published by Dark Horse Comics.
Product Details
- Publisher: Oni Press (June 16, 2026)
- Length: 136 pages
- ISBN13: 9798894880860
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Raves and Reviews
“Catacomb of Torment is a bloody, brilliant, and brutal return to form. Oni-Lion Forge and the incredible team of creators have successfully resurrected the spirit of EC comics for a modern audience while honoring its legacy. The stories are sharp, the art is fantastic, and the twists are as satisfyingly grim as ever. This is not just a comic; it’s an experience. It’s a declaration that true horror never dies.”
– Comic Book Addicts
“An intense, entertaining and thrilling story with a great message and fantastically detailed art throughout.”
– Superpowered Fancast
“Another new title in the tradition of classic EC horror comics - and this one does not disappoint.”
– Pop Culture Podium
“The resurgence of the iconic EC Comics brand is a treat for all horror fans, and Oni Press has been diligently releasing a slew of different series and issues that bring the best talents in comics to the darkest stories fit to print.”
– Macabre Daily
“Oni Press has found resounding success in the resurrection of EC Horror, leading to new anthologies and series that hope to further the legacy of the legendary William Gaines and his groundbreaking work…. Catacomb of Torment will feature a new sadistic host, cut from the same cloth as the previous ones, called The Tormentor. This one seems like he can get a bit too excited when it comes to human anatomy. To be fair, though, which of these ghastly EC hosts doesn’t look like they’d be willing to carve out a little play time here and there with the odd dismembered limb. I’d imagine it’s a requirement to qualify as an EC horror host. Aren’t horror anthologies the perfect summer companions? As reading lists and book influencers try to get you started on five-book romantasy series, a good shot of terror can make you feel the need to add some darkness to that summer sunshine. Maybe even motivate a complete horror takeover of the season. Catacomb of Torment aims to do precisely that.”
– Comics Beat
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Book Cover Image (jpg): EC Catacomb of Torment Vol. 1
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