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Table of Contents
About The Book
I Who Have Always Felt Words is a poetry collection shaped by inheritance, faith, and the radical act of thriving amid hardship. Moving through the four temperaments, Shams Alkamil crafts a lyric architecture that holds Sudanese identity, familial lineage, political violence, spirituality, and the pursuit of compassion in delicate tension.
These poems braid etymology with embodiment, tracing how language is inherited, questioned, and transformed. Alkamil interrogates what it means to belong—to a homeland fractured by violence, to a lineage marked by survival, to a spiritual tradition that both anchors and unsettles. Across the collection, voice becomes both offering and resistance: a means of devotion, protest, and continuity.
Rooted in Black diasporic consciousness and spiritual inquiry, I Who Have Always Felt Words insists on the necessity of speech even when silence is demanded. This is a book that listens deeply—to ancestors, to faith, to grief—and answers with clarity, grace, and unflinching honesty.
Product Details
- Publisher: Central Avenue Poetry (January 5, 2027)
- Length: 128 pages
- ISBN13: 9781771684835
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Raves and Reviews
“I read this collection through tears of recognition, of nostalgia, of grief, of joy. Alkamil writes of the Sudanese diaspora experience in this moment with stunning, aching precision, and with a firm, profound hope that we have a future, we are here, we are worthy, we are loved. Even if only by ourselves, we are loved.” — Yassmin Abdel-Magied, author of At Sea
“In Shams Alkamil’s I Who Have Always Felt Words, words are alive. Language has many lives and afterlives—it lingers between the living and the dead, between prayer, protest, and curse. In this formally inventive, restless collection, Alkamil moves between essayistic gestures, anaphoric incantations, and lyric self-portraiture as she maps the entanglements of the spiritual, the speculative, the political, and the ungodly. Tethered to a grieving Sudan, I Who Have Always Felt Words is an essential, arresting collection that insists “this broken world,” where “sorrow embroiders the walls,” is not beyond revival.” — Sara Elkamel, author of Field of No Justice and Garden City Sea
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