Images play a significant part in projects of poetic world-making and political transformation. They participate in the production of commensuration or of incommensurability, enact moments of prophecy or exposure, and attract or repel spectators' attention. But any examination of images in motion must also recognize the blockages and breakdowns that prevent their movement, as well as the enframings or stickinesses that trap them in particular places and prevent them from reaching others.