The Border is Burning is a ferocious portrait of San Antonio and Laredo and the landscape in between. Filled with desperation and despair, told in sparse, gritty language and dialogue that is remarkable for its authenticity, Ito Romo's stories are like scenes suddenly flashed in a lightning storm, sharp and brilliant, like shards of glass on a highway. These stories will be compared to Raymond Carver, but their true lineage is from Juan Rulfo. Without any sentimentality, yet written with a lot of heart, Ito Romo takes us to the belly of the beast.--Sandra Cisneros, author of The House on Mango Street

Romo's short stories cut the reader like a knife. His dark and authentic vision of life along the border captures the gritty reality of social relations in the era of free trade and narco economics. There are no innocents on either side of the U.S./Mexico divide. Everyone is implicated in the exchange of drugs, love, guns, grace, and bodily fluids. Romo's riveting gothic prose is a fresh iteration of Latino noir, the perfect antidote to the saccharine-sweet convention of minority fiction, firmly placing him in the company of John Rechy and Junot Díaz.--María Josefina Saldaña-Portillo, author of The Revolutionary Imagination in the Americas and the Age of Development

Romo's short stories cut the reader like a knife. His dark and authentic vision of life along the border captures the gritty reality of social relations in the era of free trade and narco economics. There are no innocents on either side of the U.S./Mexico divide. Everyone is implicated in the exchange of drugs, love, guns, grace, and bodily fluids. Romo's riveting gothic prose is a fresh iteration of Latino noir, the perfect antidote to the saccharine-sweet convention of minority fiction, firmly placing him in the company of John Rechy and Junot Díaz.--María Josefina Saldaña-Portillo, author of The Revolutionary Imagination in the Americas and the Age of Development