Skip to Main Content

From the Ashes

My Story of Being Indigenous, Homeless, and Finding My Way

LIST PRICE $17.00

This #1 internationally bestselling and award-winning memoir about overcoming trauma, prejudice, and addiction by a Métis-Cree author as he struggles to find a way back to himself and his Indigenous culture is “an illuminating, inside account of homelessness, a study of survival and freedom” (Amanda Lindhout, bestselling coauthor of A House in the Sky).

Abandoned by his parents as a toddler, Jesse Thistle and his two brothers were cut off from all they knew when they were placed in the foster care system. Eventually placed with their paternal grandparents, the children often clashed with their tough-love attitude. Worse, the ghost of Jesse’s drug-addicted father seemed to haunt the memories of every member of the family.

Soon, Jesse succumbed to a self-destructive cycle of drug and alcohol addiction and petty crime, resulting in more than a decade living on and off the streets. Facing struggles many of us cannot even imagine, Jesse knew he would die unless he turned his life around. Through sheer perseverance and newfound love, he managed to find his way back into the loving embrace of his Indigenous culture and family.

Now, in this heart-wrenching and triumphant memoir, Jesse Thistle honestly and fearlessly divulges his painful past, the abuse he endured, and the tragic truth about his parents. An eloquent exploration of the dangerous impact of prejudice and racism, From the Ashes is ultimately a celebration of love and “a story of courage and resilience certain to strike a chord with readers from many backgrounds” (Library Journal).

Road Allowance ROAD ALLOWANCE
MY KOKUM NANCY’S PALM FELT leathery in mine as we walked alongside of the train tracks. Stands of poplar swayed and bent in the wind, and she stood still for a second to catch her bearings and watch the flat-bottomed, late-spring clouds slouch by. She mumbled, then began thrusting her gnarled walking stick into the tall brush ahead, spreading it open, looking for flashes of purple or blue. Purple was a clear sign that the pregnant Saskatoon berry bushes were ready to give birth and ease the winter suffering of bears, birds, and humans.

Berries, Kokum said, knew well their role as life-givers, and we had to honour and respect that. We did that by knowing our role as responsible harvesters, picking only what we needed and leaving the rest for our animal kin so they could feed themselves and their young. That was our pact, she said, and if we followed it, they’d never let us down.

My kokum wore brownish-yellow eyeglasses the size of teacup saucers, but her eyes could still see things my three-year-old eyes couldn’t. I always tried to search out berry patches before she did, but she always got there first. Always.

As we waded deeper through the rail-side grass and reeds, a vast fleet of mosquitoes and gnats lifted from the ditch floor and enveloped our heads. A few flew into my mouth, choking me. I coughed and batted at the air.

“No, Jesse.” Kokum grabbed my arms and held them. “They are our relatives. Never do that!” I’d never seen her angry before, but she was now.

As the black cloud intensified around us, she drew in a deep breath, closed her eyes, and spoke softly in Michif. She pointed to me and our half-full pail of berries, and then to the rat-root plant that protruded out of her dress pocket. Her voice sounded like warm summer air swooshing over the open prairie right before rain comes, and reminded me of when I’d accidentally disturbed the hornet’s nest behind the smoke shed. There was no anger in her voice then. The plume of insects hovered mid-air for a second, then flew skyward and dispersed. Just like the hornets had done.

I looked at her in amazement, and my mouth opened but no sound came out. I strained to hear any buzzing, but there was only the call of a loon far in the distance followed by the shuffle of Kokum’s moccasins.

“Oh, my silent one,” Kokum said. “I just told them we have a job to do.” Her brown face cracked into a smile. “I asked them to visit us later, if they must, but for now we need to concentrate.” She brushed a few strands of hair from my face and hoisted me over a puddle. “Or maybe they’re right, maybe it’s quitting time. Let’s get back, chi garçon; we have enough to make a good bannock.”

I loved Kokum’s bannock more than anything—even harvesting with her, listening to her stories, or hearing her sing. She made it whenever we visited. We lived in Prince Albert, Saskatchewan, about an hour’s drive away from my grandparents’. Their cabin was in Erin Ferry, near Debden, just south of Big River, between the old Highway 1 on one side and the new Highway 55 on the other. The CN Railway cut right up the centre of the road allowance, connecting Debden to Big River and on to the rest of Saskatchewan.

My grandparents’ log cabin wasn’t like any other place I knew. Mom told us that her dad, Mushoom Jeremie Morrissette, had made it by hand from the surrounding aspen hardwood after our family lost our homestead in Park Valley, a few kilometres away. It took him one season to fell the trees, strip them of bark, and build it, and another half season to chink in the cracks with mud and moss, waterproof the roof, and make it ready for winter living. Nobody else had a neat house like my kokum and Mushoom, way out in the country in the middle of nowhere, with no water or electricity.

Mushoom said there weren’t many people like us anymore, rebels who fended for themselves—maybe a few Arcand relatives down the road, but that was about it. The rest had sold out and got farms or went to the city to find work. He didn’t own his land; it belonged to the Queen of England.

“She doesn’t mind us being here,” Mushoom said. “And it lets me hunt and trap freely and be my own boss, which I like.”

He told us stories about how our people once had lived in large communities in handmade houses just like his all over Saskatchewan, living off the land, but that was before the government attacked us and stole our land during the resistance, before our clans fell apart.

I couldn’t understand what he was talking about. I tried imagining villages of our people living like he and my kokum did, in their little log house, all squished onto little pieces of land owned by the Queen, and I couldn’t. But there were beaver, muskrat, deer, bears, elk, and fish everywhere; forest, streams, and rivers all around to play in; and no neighbours for miles and miles.

“If someone tries to push us around, we just pick up and move somewhere else,” Mushoom said. “We live like this to be free, like our ancestors.”

I understood that.

When Kokum and I came back from berry picking, Mushoom was standing at the front door of the cabin. The elk-horn buttons that fastened his beige leather vest strained to hold it together over his rounded stomach. Kokum made all of Mushoom’s clothes from animals he trapped and materials she traded for in Debden on her monthly visit to town.

“Where are Blanche and Sonny?” Kokum called to him, her brow wrinkling. My parents’ car had been in the dirt driveway when we left to go picking, but now there was just my mushoom’s plump horse drinking from the trough at the side of the house.

“They went into town. Should be back soon. Fire’s ready, though.”

Kokum nodded, picked up a pail of rainwater for the washing, and nudged Mushoom aside as she carried it inside. The smell of burnt hardwood licked all around my grandfather’s bald head as he bent down to hug me. The press of his fancy vest against my exposed belly felt like thousands of soft pebbles. Blazes of prairie roses, windflowers, big bluestems, hyssops, leadplants, and asters decorated his clothing in beaded patterns that Kokum said were passed down to her from her Michif-Nehiyaw ancestors—mothers to daughters—for over two centuries.

When Mushoom played the fiddle at night, I loved watching moonbeams flickering over his beads—it looked like he was wearing rubies and diamonds all over. And when he tapped his feet to the rhythm of reels he told us were passed down from his grandfather’s grandfather, the light lulled me to sleep.


Mushoom Jeremie and Kokum Nancy (née Arcand) Morrissette, in their road-allowance home in Erin Ferry, Saskatchewan.

Josh and Jerry were inside the cabin playing on the floor with the wooden toys Mushoom had carved for them while we were out. Jerry’s was a captain’s sword, and Josh’s was a little marionette man that jigged when you held the stick that protruded out its back. Mushoom could carve things in five minutes flat. Jerry always got the best toys because Jerry was his favourite grandson, being his namesake and all.

Sometimes Josh and I would get jealous of Jerry. He crawled all over Mushoom’s stomach and they both bellowed until tears came out of their eyes. Or Mushoom would take Jerry into the woods to show him his traps and a thing or two about snaring rabbits. He never did that with us. He’d hug us, but it wasn’t the same. Jerry even kind of looked like him: stout, thick-legged, and broad across the shoulders. He was like Mushoom, too: powerful, strong-willed, and stubborn.

Josh was tall and thin. Out of all of us, he looked the most “Indian,” or at least that’s what Mom would say when she brushed his long black hair in the morning. She always took her time with Josh, and I could see that he was her favourite. His skin was much darker than Jerry’s and mine, and he looked more like Mom than Dad. Korean or Japanese almost. Everyone was proud of Josh. He was the oldest and smartest and talked the most, and whatever new clothes we got from our aunts and uncles went to him. I’d eventually get them, but not until after Josh and Jerry.

I was much smaller and skinnier than both my brothers and had blond shoulder-length hair. My skin looked like my father’s—pinkish cream. People were always saying, “He looks like a little white boy” or “You sure he wasn’t switched at the hospital?” Mom said it didn’t matter, because I was special. She said that I was the largest of all her babies, a little over ten pounds when I was born in 1976—as long as a carnival hot dog with a huge oblong head—and the doctors were shocked when I came out.

“You didn’t make a sound,” Mom said. “No screams or whimpers or nothing, just a wet plop sound.”

I stayed quiet my first three years. The most noise I’d make was a cry or an incomprehensible squeal of excitement.

“Look here,” Mushoom said, as he placed me on the floor with my brothers. He pulled a small wooden knife out of his back pocket. It was just little enough for me to grasp. I waved it in front of him, and he jumped back. Jerry charged at me, coming to Mushoom’s rescue. Mushoom scooped him up before he could impale me with his wooden sabre.

Heat and the smell of lard radiated from the wood stove. Kokum opened its door to chuck in a few logs, and the muscles on her arms rippled. She was strong. One time a dog almost bit Josh near the road and Kokum threw a cast-iron skillet at it with one flick of her wrist, like a ninja star. The skillet whistled thirty feet in the air and the dog ran into the forest whining and never bugged any of us again.

I watched her as she wiped the dirt off her hands and put rolled-up bannock balls in the skillet. As they hissed and spit into the air, I could hear my parents’ car screeching to a stop outside. They were fighting, like always. Mushoom said something to Kokum in Cree. I thought she was going to toss the frying pan, oil and all, out the door at my dad. She just wagged her head, though.

Mom leaned in the front door and announced, “We’re going home, boys. Pull your stuff together.”

Dad didn’t come in. I peeked out the door. Music was blasting from the car, the windows were rolled up, and the inside was flooded with smoke.

“But, Blanche,” Kokum said, “we’ve picked berries for the bannock.”

“Can’t,” Mom said. “Sonny needs to get back. Damn idiot’s gotta meet someone. Come, boys, hurry it up.”

My mother was just fifteen when she met my father in 1973 at her sister Bernadette’s house in Debden, Saskatchewan. According to my aunties, my mother was just about the prettiest Native girl in all northern Saskatchewan—a Michif Audrey Hepburn crossed with Grace Kelly and Hedy Lamarr. Silken black hair down to her waist, jet-black eyes, and a smile like a midnight flame. They said men hovered around her like moths, and that when Dad first laid eyes on her, he tripped all over himself to catch her. He chatted her up, bought her stuff, and fawned over her. He looked like a bumbling fool, my aunties said, all the men did.

But Dad was different. He was an Algonquin-Scot, although my uncles tell me he knew himself as a white man. He wasn’t much to look at—chubby around the middle, with a pockmarked face and broken fighter’s teeth, and his usual jean outfit was slick with traveller’s patina. But there was something charming about him, an ability to talk and a boldness. That apparently came from his rough blue-collar upbringing north of Toronto, where he learned to hustle or perish. He also loved rock music. Deep Purple, Foghat, Jethro Tull, Black Sabbath, Johnny and Edgar Winter—he knew all their songs and more, how they were written and the stories behind their creation.


My mother, Blanche Morrissette, and father, Cyril “Sonny” Thistle, in 1977 in Debden, Saskatchewan.

Mom was stuck in the 1950s, listening to old country music—the Carter Family, Patsy Cline, Hank Williams, Bill Monroe, Don Messer, anyone of the sort. She did know some modern music—Bob Dylan, the Doors, the Guess Who, Joni Mitchell—but she couldn’t match my father. My aunties said Mom told them Dad was like a jukebox, with info on all the hottest bands. That made him like a god in northern Saskatchewan, where no one knew anything about rock, or Led Zeppelin, or Jimi Hendrix, or anything.

It made him irresistible, Mom said.

The side of my mom’s face was blue. It wasn’t that way before she left. And her voice sounded the way I didn’t like. Mushoom examined her, and I knew he could see her broken glasses sticking out of her pocket when she went into the back room. He pushed himself up from the table, swore, and reached for his axe.

I thought he was going to kill my dad. Josh, Jerry, and I all started crying.

“Stop, Jeremie,” Kokum yelled. She pulled the axe out of his hand and threw it beside the stove. “This is between them,” she said, her voice sounding the way it had when she spoke with the mosquitoes.

Mushoom sneered, then stared out the window. Dad didn’t notice. I could see him drumming his hands against the steering wheel.

Mom came back with some things. “Sorry, Mom, Dad. Next time we’ll stay for bannock.” She picked up our toys, then piled us into the car. She was like a whirlwind—we didn’t even have a chance to say goodbye. As soon as we were in the car, Dad floored it. The wheels kicked up a cloud of dirt, and I could just see my kokum and mushoom waving to us through it.
From the Ashes
Jesse Thistle
Reading Group Guide

This reading group guide for FROM THE ASHES includes an introduction and discussion questions. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.

Introduction

Jesse Thistle, once a high school dropout and now a rising Indigenous scholar, chronicles his life on the streets and how he overcame trauma and addiction to discover the truth about who he is.

From the Ashes is a remarkable memoir about hope and resilience, and a revelatory look into the life of a Métis-Cree man who refused to give up.

Topics & Questions for Discussion

1. Consider Jesse’s childhood pain and constant longing for his parents’ love. How are hunger and longing significant to Jesse and his memories of his childhood? How do they shape who he becomes? How do these feelings transform throughout the memoir?

2. Consider Jesse’s taunts and anger toward his brother. What exactly does Jesse seem to hate? Why do you think Jesse rejects his heritage despite his longing? How can we make connections between his anger at his parents, his frustration with himself, and his rejection of his heritage?

3. Throughout the memoir, the power of choice, and the results of making the "right" choice, weigh on Jesse. In what ways does he seem to feel like he has no choice, like he must behave in ways he knows are wrong? How do others try to convince him that he does have a choice? What seems to fuel Jesse’s decisions throughout the book?

4. How can we consider Jesse’s actions as a function of the many traumas he’s faced? How did his brothers somehow heal from that trauma? What does the story suggest about the healing powers of reclaiming one’s heritage/becoming self-aware?

5. Why does it affect Jesse so much when Karen tells him he should be proud of his heritage? Why do you think he was scared to tell her at first? Why does it seem to be so significant to him that she’d say that and that her family took enthusiastic interest?

6. When Jesse and his grandmother go to shop at the Bay, she declares, “Our family built this country, Jesse.” How does her past and her story contrast with the common European understanding of Canadian history?

7. How do Jesse’s interactions with other minorities underline the themes of power imbalances throughout the memoir? What does the book suggest about how these communities fit into Canada as a nation?

8. Jesse describes his ancestors as the “forgotten people.” In what ways is he a “forgotten” person? How is his personal history and familial history forgotten? What mechanisms, structurally and historically, are in place to make a people forgotten, and how do they configure here? What other communities might be considered forgotten?

9. Consider when Priest tells Jesse that all convicts are “broken-hearted people hurt by life” and that it’s all just “love gone bad.” How is this true for Jesse? What in his life had broken his heart? How has love gone bad for him?

10. Consider how many help Jesse in his life, despite his issues. What does that suggest about humanity? How does their goodwill help him? Are their ways in which it hurts him? How are these acts inevitably complicated and fraught?

11. What role does identity, as well as its implications and roots, play in this memoir? How does Jesse’s identity change throughout? How does his understanding of who he is change? What impact did not understanding his identity have on him?

12. In Jesse’s dedication, he names several ways that Indigenous communities were affected by Canadian policies and colonial strategies. For instance, he discusses the Sixties Scoop, residential schools, and, in the body of the memoir, land wars and treaties. How does he make the connection between these policies and his own personal struggles?
Lucie Thistle

Jesse Thistle is Métis-Cree, from Prince Albert, Saskatchewan, and an assistant professor in Humanities at York University in Toronto. From the Ashes was the top-selling Canadian book in 2020, the winner of the Kobo Emerging Writer Prize for Nonfiction, Indigenous Voices Award, and High Plains Book Award, and also a finalist for CBC Canada Reads. Jesse won a Governor General’s Academic Medal in 2016, and is a Pierre Elliot Trudeau Foundation Scholar and a Vanier Scholar. A frequent keynote speaker, he lives in Hamilton, Ontario, with his wife, Lucie, and is at work on multiple projects, including his next book. Visit him at JesseThistle.com.
 

"An illuminating, inside account of homelessness, a study of survival and freedom...I found myselfing gasping out loud at parts, unable to put the book down. Jesse's story shows us that there is nothing that cannot be transformed." —Amanda Lindhout, bestselling co-author of A House in the Sky

"Blown away by From the Ashes. An eloquent memoir of Métis life and surviving the streets by con-turned-scholar Jesse Thistle." —Emma Donoghue, bestselling author of Room

"In this page-turner of a memoir—raw, honest, gripping, wrenching and inspiring—Jesse Thistle gifts us with an intimate and bracing look into the realities, traumas and triumphs of Indigenous life in today's North America." Gabor Maté M.D., bestselling author of In The Realm of Hungry Ghosts: Close Encounters With Addiction

"From the Ashes makes a terrific contribution in that it brings to light the lived experience of Indigenous People in North America. Thistle makes an especially valuable contribution in today’s growing national conversation about the historic and systemic racism of Black, Brown and Native American peoples, the driving force behind the out-of-proportion rates of homelessness, police brutality, deficient healthcare, incarceration rates, uneven administration of justice, and inadequate education in our nation—all these issues are covered in glaring honesty and brutal truth. A must read for all Americans, but especially for educators, policy makers, and front line workers."—Dr. Sam Tsemberis, creator of Housing First, CEO of the Pathways Housing First Institute, and Clinical Associate Professor, UCLA Department of Psychiatry and Biobehavioral Sciences.

"A courageously heartfelt journey from profound self-destruction to redemption." —Kirkus

“Readers will be gripped.”Publishers Weekly (Starred review)